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Code v2 open wikipedia on the title http://codev2.cc/
Lawrence Lessig open wikipedia on the author ( - ) http://www.lessig.org/

Lessig's "Code and Other Laws of Cyberspace" was published in 1999. The book quickly began to define a certain vocabulary for thinking about the regulation of cyberspace. More than any other social space, cyberspace would be controlled or not depending upon the architecture, or "code," of that space. And that meant regulators, and those seeking to protect cyberspace from at least some forms of regulation, needed to focus not just upon the work of legislators, but also the work of technologists.

Code v2 updates the original work. It is not, as Lessig writes in the preface, a "new work." Written in part collectively, through a Wiki hosted by JotSpot, the aim of the update was to recast the argument in the current context, and to clarify the argument where necessary.

This work is licensed under a Creative Commons Attribution-Share Alike 2.5 License Creative Commons License 
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Beyond Good and Evil open wikipedia on the title 
Friedrich Nietzsche open wikipedia on the author (1844 - 1900) 
Nietzsche soars in philosophic thought in Beyond Good and Evil. He transcended most of his 19th century contemporaries and considered the bulk of their philosophic thinking to be greatly limited by their acceptance of Christian premises. Denying a universal morality for all people, Nietzsche instead proposed that the individual's "will to power" upon the world was the means to move beyond good and evil. Agree? Disagree? Agree to disagree? Brilliantly thought provoking.
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How to Speak and Write Correctly open wikipedia on the title 
Joseph Devlin open wikipedia on the author (1872 - 1934) 
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Free Culture open wikipedia on the title http://free-culture.cc/
Lawrence Lessig open wikipedia on the author ( - ) http://www.lessig.org/

"There has never been a time in history when more of our 'culture' was as 'owned' as it is now. And yet there has never been a time when the concentration of power to control the uses of culture has been as unquestioningly accepted as it is now." -- Free Culture

"It's never too late to try a little common sense, Lessig says. It's only one of the things that makes him such an unusual law professor -- and such an important voice in the ongoing copyright wars." -- John Schwartz for AMERICAN LAWYER

This work is licensed under a Creative Commons Attribution-Noncommercial 1.0 License Creative Commons License 
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Blind Shrike open wikipedia on the title 
Richard Kadrey open wikipedia on the author ( - ) 

"The book is titled Blind Shrike. It's not a rotten book, I think. In fact, it's a pretty traditional fantasy quest, just one that, to me, makes sense in George W. Bush's America. The hero of the story is on a quest for his own lost ignorance and innocence. He really doesn't want to know too much because, as many of us have learned, too much information is a soul-sucking pain in the ass. In the book you'll also find magic and monsters, angels and demons, magical swords and forbidden books. And blimps. Every fantasy novel should have at least one blimp." -- Richard Kadrey

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 License Creative Commons License 
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Critique of Pure Reason open wikipedia on the title 
Immanuel Kant open wikipedia on the author (1724 - 1804) 
First published in 1781 Critique of Pure Reason is widely regarded as the most influential and widely read work of the German philosopher Immanuel Kant and one of the most influential and important in the entire history of Western philosophy. Kant saw the work as an attempt to bridge the gap between rationalism and empiricism and as a counter to the radical empiricism of David Hume.
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Barriers Burned Away open wikipedia on the title 
Edward Payson Roe open wikipedia on the author (1838 - 1888) 

1872 Best Seller.

In his day E. P. Roe was a bigger seller than Mark Twain.

A story of the Chicago fire.

"We accord a hearty commendation to this work. The narrative is vigorous, often intense, but rarely if ever melodramatic. Its language is usually no less chaste than forcible and impressive. It betrays a power of invention and description which is not met with every day in the best of writers of popular fiction." -- Dr. Ripley, in the New York Tribune (contemporary review)

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